(Deeper Underground) I Get Nervous in the New York City Streets

9/11, marc_buehler/NBC, 2001

Yeah, again. After publishing my analysis of Cloverfield last month, I continued thinking about the film's relation to September 11th. What I have written below is really pushing the limits of the narrative as I highly doubt the producers, being American, are communicating the message that I think could be extracted from it.

»Spoilers Throughout«

In my previous analysis I argued Clover (the titular monster) was a personification of 9/11 and as such, the instigator of the character drama. The origins, motivations, and purpose of Clover are ultimately unknown. The only clue is the brief shot of an object strike the ocean in the final scene before the credits (the promotional material offers a scant back-story). Despite Rob's camcorder perfectly capturing that brief glimpse, Rob and Liz are entirely unaware of it. When Clover starts wrecking New York, no-one understands what is going-on nor why it is happening.

(Deeper Underground) But I Got To Go Much Deeper

»Spoilers From The Outset«

B0000609, ghackettny, 2001

Looking for something to watch on Sunday night, I put on Cloverfield again. Last year I wrote a short review after first seeing it, in which I thought it was underrated. As I was munching through a packet of crisps the Brooklyn Bridge collapses killing Jason and many unknown others. People are screaming names and fleeing in abject terror, and I suddenly felt uncomfortable. Indeed, some reviews criticised it as September 11th pornography - making entertainment out of tragedy as the horror genre does with fear. In my mini review I saw it as a contemporary framing of the monster/disaster movie genre but lacking depth or social commentary. That unease prompted me to question whether it really was without merit, leading me to watch it yet again on Thursday.

Prior to 2001, the most destructive act of terrorism in the US was the Oklahoma City bombing in 1995 - as referenced in the opening scenes of The X-Files Movie (1998). That incident is well known but largely restricted to that city in terms of impact. September 11th, on the other hand, was a game-changer, broadcast live as it unfolded - its effects on American culture are profound and long-lasting. Before it, the American public was only familiar with terrorism on the evening news. It had never struck home on such a large scale. With the thousands of people who died on that day, how could Hollywood ever make a disaster movie again? To make a popcorn disaster movie with a massive body count would be grossly insensitive.

Deeper Underground

When South Park parodied Cloverfield last October, I put it on my very long list of films to see. So seven months and a hundred films later...