But the waters... receded
Predictions of the end-times are likely as old as creation myths as likely as old as history itself. The invention of cinema enabled the depiction of the ultimate dramatic scenario and so it began. The disaster movie as a genre emerged in the seventies (
Towering Inferno, et al) as classically narrative compared to their modern antecedents - almost all stories are of characters facing an obstacle they must overcome; in the above case a fire in a skyscraper. They boasted highly popular actors in the lead roles which, like any other film of the era, drew audiences. After
Jurassic Park demonstrated the sky was the limit with computer generated imagery the floodgates opened (a metaphor that could actually make an interesting post-modern disaster film about the effect of CGI on film-making). Now there was nothing that could not be depicted. A lot of the modern disaster films since the mid 90s can be attributed to one Roland Emmerich and his little known 1996 film
Independence Day. Inevitably someone will chime in with the old adage about how any critique of 'low-brow' movies is a comment on how the critic cannot turn their brain off and just enjoy it. I enjoy Independence Day and I happen to own
The Day After Tomorrow (which I last watched on
October 30th) despite its ludicrous implausibility. I even have a Steven Seagal movie (Under Siege 2) amongst a home video collection that includes a number of foreign language films, but the film
2012 (dir. Roland Emmerich) is just bad. Not enjoyably bad... and you already know why I'd bring that up three years after release.